top of page

PRESS

Girls!Girls!Girls!

"...a serious message of the plight of women with a little tongue-and-cheek humor."

- Cameron Basden, Miamiartzine

MAZ-logo-header.png

THE DANCING ROOM

"I was mesmerized. This was truly an immersive experience. Never have I felt so engaged with contemporary dance."

- Cynthia Close

"It was inspiring to see such power and beauty so close. In our circle, we could even watch the faces of other people in the audience, something I've very rarely ever experienced. And there were lots of smiles from both dancers and attendees."

- Vermont Public Radio

EINSTEIN’S HAPPIEST THOUGHT

"...an experiment in defying gravity...thought-provoking and awe-inspiring moments."

- Herald Sun

"…balances physical freneticism with cerebral serenity…thrills you when truth, light and hopefulness beam through."

- Chris Arnott, New Haven Independent

"Myers seems to have a penchant for saturated primary colors and uses them effectively to emphasize the bold prowess of her dancers."

- Five Points Star

"Choreography for the aficionado."

- Roy C. Dicks, The News & Observer

THEATER IN THE HEAD

"...a piece that you have to see to believe, but one that will make you appreciate the athleticism of some dancers and dances, and makes you never able to look at a pink shag rug in quite the same way again."

- K.D. Norris, Bennington Banner

WHAT we HAVE is HALF of WHAT we WISH FOR

"...a fascinating modernist breakdown of a hectic society [with] a wondrous sound collage by Kyle Olson which could stand alone as a fully realized artwork."

- Chris Arnott, The New Haven Advocate

"Ms. Myers can indeed shape an onstage world."

- Roslyn Sulcas, The New York Times

SLIPLINE

"...the dancers emerge as collaborating individuals. In games, varied encounters, and bold dancing by five women, we can view Dominique Godderis as a mischief maker and Myers as her sometime confederate, Diana Deaver and Allison Walton as friends, and Rachel Astern as a loner. It's a rich little world."

- Deborah Jowitt, The Village Voice

(From a review of Adele Myers' first work)

bottom of page